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**ONLINE EXCLUSIVE** August profile- K.W. Whitley — Authentic art of the West

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By Jessica Crabtree

Crowell, Texas, is located in Foard County with a city radius that covers 1.9 square miles. The remote West Texas town boasts rolling hills and sandy loam perfect for wheat, cotton and hay crops. Foard County also offers the perfect place for cattle to roam.  Positioned between the Pease and North Wichita Rivers and covered with predominately mesquites and bush cedar, it is not uncommon to hear the melodious howl of the coyote or see majestic deer or fox. Even a lizard or two! It’s a somewhat rigid terrain, but the people are quite the opposite. They are sure to greet you with a smile. Somehow, it’s as if that rough country gets into your soul, or it did in the case of resident K.W. Whitley. Crowell is where she calls home.

To Whitley, the haunting moan of the coyote and mesquite-covered hills are a perfect sanctuary not only for the outdoors woman in her, but also the artist. When talking about her beloved coyote, she quotes the famous south Texas writer, J. F. Dobie, “Canten mi amigo, canten.” Which means, “Sing my friend, sing.” Whitley was raised by a father very much like herself. Growing up west of Austin, Whitley’s father, Ralph White, was an artist who taught at the University of Texas, and a graphic designer. At the time, it was a little college town, far from what it is today. Ralph was one of the founding members of the art department at UT. To read more pick up the August 2015 issue of NTFR.

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Country Lifestyles

The Fence That Changed the West

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Few inventions altered the American landscape as quickly or as permanently as barbed wire. At first glance, it was nothing more than twisted strands of metal with sharp points. But in the 1870s and 1880s, it transformed open prairies into enclosed pastures, reshaped cattle ranching, and set the stage for modern agriculture across Oklahoma, Texas, and the Great Plains.

For generations, settlers and ranchers wrestled with the challenge of fencing the open prairie. Traditional wooden fences required lumber, which was scarce on the plains. Stone walls were impractical across vast tracts of land. Homesteaders needed a boundary that was durable, affordable, and easy to construct.

The solution arrived in 1874, when Joseph Glidden of DeKalb, Illinois, received a patent for his version of barbed wire. He twisted two wires together, anchoring sharp barbs in place so they would not slide. His design proved cheap to produce and easy to stretch across posts. Within just a few years, Glidden’s invention spread like wildfire across the West.

For farmers, barbed wire was liberation. They could protect crops from roaming livestock, keep their own animals contained, and finally bring order to what had been the open range. Small homesteads suddenly had a way to defend their fields from massive cattle herds being driven north to railheads.

But not everyone welcomed the wire. Large cattle outfits, used to driving herds across unfenced land, saw it as a threat. Cowboys called it “the devil’s rope.” Tensions boiled over in the 1880s during the so-called “fence-cutting wars,” particularly in Texas. Cattlemen and farmers clashed as hired hands cut through miles of wire to reopen blocked trails and water sources. Violence erupted in some areas, leading to new laws that punished fence cutting as a felony.

Despite the resistance, the march of barbed wire could not be stopped. Its low cost and effectiveness made it indispensable. By the end of the 19th century, millions of miles of barbed wire crisscrossed the United States, dividing prairies into ranches, farms, and towns.

Once established, barbed wire did more than mark boundaries. It changed the very nature of ranching and agriculture. No longer could cattle roam freely over open ranges; instead, ranchers had to provide feed and water within enclosed pastures. This spurred improvements in breeding, grazing management, and stewardship of land. The great cattle drives that once defined Texas and Oklahoma largely faded, replaced by fenced ranching operations closer to railroads and towns.

The wire also influenced settlement patterns. Homesteads became more secure, encouraging more families to take root on the prairie. Conflicts with Native tribes intensified, as traditional hunting grounds were fenced off. In this sense, barbed wire became a physical symbol of westward expansion—an emblem of progress to some, a barrier to freedom for others.

Culturally, barbed wire has carried layered meaning ever since. Cowboys and poets have written about its sting, while farmers praised its dependability. During World War I, it found new use on battlefields, stretched across trenches as a weapon of defense. In art and literature, it often stands for confinement, conflict, or the taming of wild places.

Even today, the sight of rusty wire strung across weathered posts remains iconic. Drive through Oklahoma or North Texas, and you’ll see it outlining pastures, sometimes still holding cattle, sometimes falling into the grass like a relic of earlier generations. Ranchers continue to rely on barbed wire alongside newer fencing materials, proof that a 150-year-old invention still holds its ground.

The story of barbed wire is not just about technology. It is about how a simple invention shifted the balance between open freedom and private control, between the frontier and settlement. It made agriculture sustainable in places where farming had once seemed impossible. It forced ranchers to rethink livestock management. It even gave rise to laws, conflicts, and a new rhythm of life on the plains.

Like the cowboy hat, barbed wire transcended its original purpose. It became a defining feature of the American West—sharp, unyielding, and practical. It reminds us of the challenges faced by those who carved out lives in Oklahoma, Texas, and across the Great Plains, and how innovation, for better or worse, can change landscapes and livelihoods forever.

References

  • McCallum, Henry. The Wire That Fenced the West. University of Oklahoma Press, 1965.
  • Oklahoma Historical Society. Barbed Wire. https://www.okhistory.org
  • Texas State Historical Association. Barbed Wire and the Fence Cutting Wars. https://www.tshaonline.org
  • Smithsonian Institution. “How Barbed Wire Changed the West.” (2018).
  • Library of Congress. Joseph Glidden and the Invention of Barbed Wire.
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Country Lifestyles

Shifting Gears

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By Alex Haigood

It seems today that the ability to drive a standard transmission is becoming a lost art. In my younger days, if you couldn’t use a clutch, you couldn’t drive. My first three vehicles, two trucks and a car, were all standard transmissions. I would say many young people today have no idea how to drive a car unless it has an automatic transmission.

That probably has a lot to do with the fact that not many stick shifts are made anymore. Everything, even trucks, comes standard with automatic transmissions. There are some sports cars you can still get with a standard, but even those are few and far between.

I knew as a kid that if I wanted to drive and get my license as soon as I could, I would have to learn how to drive a standard. Fortunately, I had a lot of relatives who lived in the country, so I did most of my learning on dirt roads and in the pasture.

I suspect that not many young folks today have any idea what “three on the tree” even means. For the record, that means you had three forward gears, and the gearshift was on the steering column.

I have two memorable stories from my early days of learning to drive a standard. The first was when my dad let me drive a flatbed truck carrying some sheet metal. I popped the clutch a little too fast and almost completely unloaded the truck. We had to back into something to push the material back up on the bed.

The second story involved my uncle, who let me drive while I was on his ranch. I had pulled up to a stop sign on a gravel road that crossed a farm-to-market road. I was stopped on an incline, and my uncle pulled his truck right up behind me. I sat there thinking that when I let off the brake, I was going to start rolling backward into his truck. I sure didn’t want to do that.

So I overcompensated, hit the gas, spun the tires, and threw gravel and dirt all over his truck. All I could see in my rearview mirror was a cloud of dust and dirt. Fortunately for me, he was good-natured and laughed about it. To tell you how long ago that was, he radioed me on his CB and asked if I did that on purpose.

I was fortunate to get to drive early in life in the country and learn the lost art of the standard transmission. Those were fun times. Maybe I need to order me a sports car.

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You Will be Totally Tempted with These New Cupbeas

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By Norman Winter – The Garden Guy

There will be a lot of temptation for gardeners in 2026, so many new plants are showing up at the garden center. Being the astute gardener you are, you probably can guess I am yanking your chain a little as I introduce you to the Totally Tempted cuphea series.

If you are a hummingbird lover you already know some cupheas. The Totally Tempted cupheas come in 4 color or varieties, Richly Red, Watermelon Wine, Frosted Violets and Vivid Violet. They have the potential of reaching 16-inches tall with an 18-inch spread.eas

They are known botanically as Cuphea procumbens with a common name creeping waxweed. Don’t let that name cause any concern. They are native to Southern Mexico and perennial in zones 9 and warmer. They are rock solid, tough and worth every penny as annuals in containers, whether you choose to design a mix or go solo. Your beds will also sizzle with a new artistic touch.

These caught the eye of my good friend, Dr. Allen Owings while at the Young’s Plant Farm Annual Garden Tour in Auburn AL. Allen, formerly a Horticulture Professor at LSU AgCenter is now Horticulturist for Clegg’s Nursery and Bracy’s Nursery. So when he posted the photos on Facebook they caught my attention.

Kim Smith Owner of Smiths Country Gardens in Taylorsville Indiana also went to Facebook. With her trials. She said the violet purple, blush rimmed blooms make it easy to fall in love with Totally Tempted Frosted Violets. Her antique looking urn was filled to overflowing with just Frosted Violets.

She says they are self-cleaning with a continuous blooming habit. She says her zone 5 climate dictates growing as an annual. She recommends plenty of sunlight to keep it from stretching. She went on to say trimming off a little in late July or August can help promote new growth if needed. Kim, feeds weekly with water soluble fertilizer.

Neighbor Dave and his bride Cynthia created a stunning combination in a rectangular concrete planter. They used both Totally Tempted Richly Red and Watermelon Wine with Augusta Lavender heliotrope and Virtuoso Dayglo Yellow dahlia. It is easy for The Garden Guy to peek over the fence and admire.

Son James and the Eden Estate Management team used Totally Tempted Vivid Violet in a window box with Virtuoso Vibrant Violet dahlias. And Supertunia Mini Vista Yellow petunias for a dash of contrasting color.

The Garden Guy went with the Totally Tempted red selections. In the front flower bed at the entrance I used Sunshine Blue II caryopteris with the chartreuse colored foliage. In the backyard I used both Richly Red and Watermelon Wine with the new ColorBlaze Mini Me Chartreuse coleus. In all plantings the flash of red and chartreuse dazzled with color.

Both son James and I found that cutting back kept the plants with a bushier habit. Like Kim Smith recommended, sunlight and frequent fertilization is mandatory. You will find that the Totally Tempted cupheas like others will bring in an assortment of bees, butterflies and hummingbirds. If you will check out Proven Winners Totally Tempted cupheas online you will find recipes for each color, further leading to ……you guessed it, the temptation for the 2025 new plants coming your way. Follow me on Facebook @NormanWinterTheGardenGuy for more photos and garden inspiration.

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