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Take the time it takes – The Natural Horseman

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By Steve Stevens 

How many minutes is your life worth? If I told you fifteen minutes of groundwork before you ride would guarantee that you would be safe from harm or injury, how many of you would do it? Well, no one can guarantee you anything in this life except that you are alive or dead. What I can do is put things very much in your favor when you ride your horse. I have heard these stories and tell me if they sound familiar. “I just don’t know what happened. He never did that before. I never saw it coming. I can’t believe he bucked with me” or “I have ridden him in parades, and then one day out on the trail, he ran off at nothing.” Over the years of working with multiple cases of these horses I have found four things. 1. The horse wasn’t trained nearly as well as the owner thought. 2. The owner’s riding level didn’t match the ability of the horse. 3. The horse was fresh and not warmed up correctly. 4. There was actually something physically wrong with the horse that the owner wasn’t aware of.

When horses are fresh, they can get overly reactive, so it is important to work this out before we ride them. (Photo by Amanda Stevens)

When horses are fresh, they can get overly reactive, so it is important to work this out before we ride them. (Photo by Amanda Stevens)

I want to say this in the most respectful way. I am tired of hearing about people getting hurt on horses when there was no reason for it. At the end of the day, the horse pays for this lack of attention after he hurts someone by being punished or sent down the road to another person or a sale. Sometimes the owner doesn’t want to get rid of the horse but lives in fear of the horse, and the horse is left with not much attention. I think the most important part to this is to understand that the horse is not a machine that we just turn the key and expect it to do what we want. Horses are living, breathing, thinking creatures that have emotions just like us of fear, joy and sadness. They can feel pain and they can feel healthy and strong.

They can get confident or feel insecure. They are also a prey animal that has survived a million years fleeing when it gets scared. So when anyone expects the horse to never have any of these emotions when dealing with them, they will be set up for failure, even with the brokest of broke horses. The worst wrecks are when people are riding the horse they trust the most, because they give them the benefit of the doubt. They don’t warm them up. They ask more of him than is necessary. Often they get overly confident with their horse and put them in situations they are not prepared for. Once you have had an accident or scare on your horse, please truthfully ask yourself these questions. 1. Did you do any groundwork? Most importantly, did you watch your horse walk, trot and canter quietly (the canter is the one gait that can’t be avoided) on a lunge line or in a contained area with the saddle on? 2. Do you lope your horse on a regular basis? Not just walk and trot.

If you are being truthful, I would guess that about ninety percent did not do one or both of these the day you had the accident or scare. The only reason I know this is because I get the horse after these things happened and this is nearly always the case. Why is it so important to do these things? The most basic of basic groundwork exercises is to teach your horse to lunge at all three gaits quietly. If your horse can’t do that, there is really no reason to go on. Once he can lunge quietly, this is the precursor to reading his mind, seeing how he is feeling both mentally and physically. Let’s say you practice lunging for a while to where your horse is doing it soft, quiet and consistently. Then one day you go out to work your horse and he has a rough time with the lunging. He or she is telling you something. All you need to know.

There is something that is not right. Either he is fresh and feeling his oats and needs more work to settle down, or he is bothered by something unbeknownst to the handler or he just doesn’t feel good. He could be colicky, sore or have an injury. Now that we have taken the time to figure out what is going on, what I am about to say next is the most important part. If you can’t get him back to his normal quiet self, you don’t get on. Let me say it again: you don’t get on. Most of the time the horse is just feeling fresh or has had a lack of consistent work.

It shouldn’t take long to work him through that. When you get on, he should be paying attention. If he is distracted or bothered by something and you are not an expert rider (and even then sometimes) you will have a much harder time working that out under saddle. Then there is the fact that if we don’t lunge him and watch him under saddle, how can we know how he feels physically? If you just take the time to watch your horse move he will tell you everything. If he seems sore or lame, you obviously don’t move on. You get it fixed. The second part of this is that in a contained place like an arena, you need to learn and your horse needs to learn to be cantered quietly under saddle. The canter is the third gait and the gait that holds the key to safety. A lot of people say they don’t canter because they just go on trail rides or they are scared of it.

The problem with that is that the horse knows you are scared of cantering. Truthfully, why are you scared to canter? One reason could be that you don’t have confidence in your horse and you think something bad is going to happen if you canter. Right there that should tell you something about your true feelings about your horse. Horses get broke and quiet by being cantered. If you don’t ride good enough to canter, you need to learn. If you truly want to connect and be safe with horses you need to learn to canter. I have seen children at four years old to hundred year old men learn to canter their horses. People with bad knees, people who are out of shape or people with horrible balance all can learn how to canter. If you are scared to do this, you need to find a professional to help you through this part of your journey.

The Stevens friend, Cheryl has put a lot of work in, teaching Cisco how to lunge. (Photo by Amanda Stevens)

The Stevens friend, Cheryl has put a lot of work in, teaching Cisco how to lunge. (Photo by Amanda Stevens)

I can’t tell you how many horrible wrecks came from people who didn’t know how to canter. The problem is that when a horse spooks at something and needs to move his feet or gets excited and wants to catch up with another horse, they generally go into the motion of the canter or run. When that happens, and you don’t canter your horse regularly, the horse and you are going to be uncomfortable. The horse will feel your tightness, which is usually what leads to him to bucking and/or running off. Please take this column entry to heart. We write this with your safety in mind. Please take the time it takes. Even if you just spend that extra fifteen minutes I offered you in the beginning, you will be amazed how much your horse experience will change.

Ride your dreams,

Steve

 

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An Introduction to Canning

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By Landon Moore

The holidays are coming up, and for many people this is a favorite time to do canning. Whether it is putting up the last harvest from the garden or making a unique gift for family and friends, canning is often on the mind. However, there is some confusion when it comes to certain kinds of canned goods. Many people use the terms “jam” and “jelly” interchangeably, and when you add in “butters,” “preserves,” and “conserves,” it can become a recipe for confusion. To clear things up, let’s take a look at what these different forms of canned goods are and what sets them apart.

This article focuses on jellied fruit products. Other canned goods such as pickles, chutneys, and fruit in syrup will not be discussed. The goal is to explain the forms of canned goods that are essentially the same thing with only minor variations. The word “form” is used intentionally, since many of these are the same basic product with a few small changes, extra ingredients, or longer cooking times. Before we dive into each variety, it helps to understand the process that allows these spreads to form in the first place.

As fruit cooks, its cells break down and release pectin, a material that gives the fruit structure. When enough sugar and acid are present, the pectin will resolidify as it cools, creating the gel-like consistency that makes a spreadable product. This is how canning was originally done. It is time-consuming and easy to burn, since it must be cooked to just the right consistency. The long, slow cooking gives the finished product a distinct caramel-like flavor. If it is taken off the heat too soon, it will not set. If it stays on too long, the result can be hard candy or burned sugar. Some fruits also lack enough pectin to gel properly, but powdered pectin is now available and makes canning much easier. Still, certain products such as fruit butters must be cooked the traditional way and are best attempted once you have a little experience.

The simplest form of canned goods is jam. At its most basic, jam can be made with nothing more than crushed fruit and sugar. Many berry jams contain only these two ingredients. This kind is often called “old-fashioned jam.” To make sure enough pectin is present, it helps to use about one-quarter slightly under-ripe fruit. Even then, old-fashioned jam tends to be a bit softer than those made with added pectin. The long cooking time allows the water to slowly evaporate. Too much water, and the jam will not set. Too little, and you will have made hard candy. The jam thickens gradually as the water cooks off. Recipes may give a general idea of cooking time, but it depends on your stove. Some cooks use a candy thermometer, while others rely on watching the consistency.

For fruits that do not have enough natural pectin, or for those who do not have the time or patience for the trial and error of cooking old-fashioned jam, powdered pectin is the solution. It greatly shortens the cooking time and makes it easier to get consistent results. To make a traditional jam, the crushed fruit and pectin are combined in a pot before turning on the stove. Once it reaches a boil, sugar is added all at once and the mixture is brought back to a boil for a short time, usually about a minute. After that, it can be taken off the heat and poured into jars. Liquid pectin is another option, but it usually requires much more sugar and can make the finished product overly sweet.

Preserves are only slightly different from jam. They contain larger pieces of fruit suspended in jelly. While jam is made from completely crushed fruit, preserves are made from roughly chopped pieces. Pectin helps shorten the cooking time and keeps the chunks of fruit from breaking down too much.

Conserves are another variation, though not as common. They are essentially jam that includes dried fruit and nuts. Conserves are often spiced and served at breakfast. They usually feature one main fruit as the base, with added dried fruit, nuts, and sometimes citrus for extra flavor.

Marmalade is a more familiar term. It consists of fruit pieces and small slices of citrus peel suspended in a jelly. The long cooking time softens the peel, but leaves a slight bitterness that contrasts with the sweetness of the jelly, creating a complex flavor. Orange marmalade is the best known, but the original was actually made with quince. Marmalades can also be made with apples, onions, chiles, or tomatoes. While they might sound intimidating, they are easier to make than many people expect.

Jelly is made from strained fruit juice and sugar. It is clear, firm, and smooth. Though beautiful and delicious, jelly can be time-consuming and somewhat wasteful, since it takes a lot of fruit to make a small batch. The fruit is usually simmered in a small amount of water, then poured through a cheesecloth-lined sieve to drain for several hours. Only a few fruits have enough natural pectin to set without added pectin, but traditional jellies made this way have a rich and distinctive flavor.

For those who like a challenge, fruit butters are worth trying. They are not difficult, but they require attention and patience. When made correctly, fruit butter is silky smooth with a deep caramelized flavor. When made incorrectly, it can turn into a pot of scorched sugar and wasted fruit. To make fruit butter, puree the fruit, usually with spices, and cook it slowly for an hour or more. This reduces the water content while caramelizing the mixture. It is finished when a spoonful holds its shape and spreads smoothly on a chilled plate.

Finally, there are fruit honeys and syrups. Fruit honey is made by cooking crushed fruit and juice until it reaches the thickness of real honey. Pear honey is the most common example. Syrups are similar but thinner, made to remain pourable. Some recipes include corn syrup to increase thickness without making the result too sweet.

Even within this small area of canning, there are many directions a person can go. From soft jams to smooth butters and glossy jellies, the possibilities are endless. Canning combines creativity with science, and the results are as varied as your imagination.

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Varietal Honey

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By: Landon Moore

Landon Moore is the Wise County 4-H President and a member of the Wise County 4-H County Council. He is involved in beekeeping, as well as raising rabbits and poultry.

This essay was one that he wrote, and it was named the champion for both the Texas and National chapters of the Foundation For The Preservation of Honey Bees.

Varietal honey is honey that comes from a single source.

This honey has a flavor derived from the source flower and can even have a similar scent. In general, lighter colored honeys have a more subtle taste and dark honeys are more intense. Varietal honey has been compared to wine, in that honeys produced in different years can be distinguished, even if they come from the same flower and location.

This phenomenon is called terroir and is responsible for the individual taste of each honey harvest.

To read more, check out the digital edition of the 2024 October issue North Texas Farm & Ranch magazine. To subscribe by mail, call 940-872-5922.

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The Garden Guy: America’s Sweetheart

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By: Norman Winter | Horticulturist, Author, Speaker

Early in the summer, I was sent a press release that caused one of those holy wow moments. The headline said it all, “Proven Winners ColorChoice Expands Catalog with the Addition of Hollywood Hibiscus.”

I had already become familiar with the Hollywood Hibiscus series and was thrilled that the Proven Winners was adding this to their lineup.

This flower is nothing short of beautiful and exhibits prolific flower production. The flowers show three distinct colors, deep red in the very center, then the majority which is a rich rose pink with lighter pink to white along the margins.

To read more, read the 2024 October digital edition of North Texas Farm & Ranch magazine. To subscribe by mail, call 940-872-5922.

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