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October 2018 profile – Becoming Alex Cord: Actor, Horseman, Author

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By Jessica Crabtree

North Texas is fortunate to have a profound number of unique individuals as its inhabitants, some of whom are even famous. One in particular came to live in Texas 17 years ago by way of California. A self-proclaimed “Texan at heart,” Alex Cord calls Grayson County home. Known across the masses as Alex Cord, his given name was Alexander Viespi. However, the actor, horseman and author has spent most of his life as Alex Cord.

The son of an immigrant father of Spanish and Italian descent, his father first came to the United States at only six years old in 1915. Cord once asked his father what he felt or remembered as the boat neared America. Cord said, “He could tell it like it was yesterday, ‘I remember my first glimpse of the Statue of Liberty. I’ll never forget it.’’’ His father, Alexander (Al or Big Alex) Viespi had limited education, quitting school at 13 in order to work and help sustain the family, but had an exceptional ability to write.

When asked what his childhood was like, spent with one brother and one sister, Cord described it as “heaven.” Raised during the Great Depression, the time went unnoticed by the Viespi children. With a dense work ethic, Big Alex mainly laid brick, working additional jobs such as in the barber or butcher shop, all while maintaining a loving and affectionate relationship with his children. Though surely dead tired, again his children never knew. Raised with Big Alex’s mother, Grandma Francisca, or Mama, who fluently spoke Italian, French, English and Spanish, Cord regrets never taking advantage of learning Spanish from her.

Working hard and saving, Big Alex managed to move his family to a home in Long Island, New York, in a country setting called Floral Park. Although Cord’s first memory of a horse was at two years old, with the horse-drawn carriage that delivered milk, Friday’s were extra special days. “Fridays a man and teenage boy came and offered pony rides at the end of our block,” Cord reminisced. One ride for a dime, or a quarter for three rides.

Fortunately for Cord, who said “I was born with an inexplicable love for horses…,” the legendary Belmont Race Track was only a mile and a half away from his home. As a youth, Cord spent many Saturday mornings riding his bike to the practice track, watching through the morning mist, thoroughbreds fly by with tiny riders aboard their backs. There a dream was formed: Cord wanted to become a jockey.

Cord’s first silver screen experience was “The Lone Ranger.” That and the love for movies advanced a fascination for greats such as Humphrey Bogart and Gary Cooper, an initial piece to the overall puzzle that would be Alex Cord.

To read more pick up a copy of the October 2018 NTFR issue. To subscribe call 940-872-5922.

Cord shown with one of his best polo horses named “Greystoke.” (Photos courtesy of Alex Cord)

Another head-shot of Cord who has been a voting member of the Academy of Motion Pictures since 1972.

Cord as “Grayeagle” a Comanche warrior in the film “Grayeagle” which starred Academy Award-Winner Ben Johnson.

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Country Lifestyles

When Peppers Bite Back

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Most of us have been there. You take a bite of something that looks harmless enough, and within seconds, your mouth is on fire. Your eyes water, your nose runs, and suddenly you’re questioning every decision that led you to that moment. Whether it’s a jalapeño that packed more punch than expected or a sauce someone swore “wasn’t that bad,” peppers have a way of keeping people humble.

There is, however, a way to measure that heat before you ever take a bite. It’s called the Scoville scale, and it’s the standard used to rank just how hot a pepper can be. The measurement is expressed in Scoville Heat Units, or SHU. The higher the number, the more heat you can expect. A bell pepper sits at zero, meaning no heat at all. Jalapeños usually land somewhere between 2,500 and 8,000 SHU, while the upper end of the scale climbs into the millions.

The system dates back to 1912, when pharmacist Wilbur Scoville developed a method to test pepper heat. His approach was simple, if not a little impractical by today’s standards. Pepper extract was diluted with sugar water until a panel of tasters could no longer detect the burn. The more dilution required, the hotter the pepper. It worked, but it depended heavily on human perception, which is far from consistent.

Today, the process is far more precise. Instead of relying on taste, scientists measure the concentration of compounds called capsaicinoids using laboratory equipment. Those numbers are then converted into Scoville Heat Units. It takes the guesswork out of the equation and gives growers, processors, and consumers a reliable way to compare peppers.

Capsaicinoids are the group of compounds responsible for heat, with capsaicin being the main contributor. Contrary to what a lot of people believe, the seeds are not where the heat lives. Most of it is concentrated in the white inner ribs of the pepper. The seeds can seem hot because they come into contact with those oils, but removing the inner ribs is the most effective way to dial the heat back while keeping the flavor.

That burning sensation you feel isn’t actually heat in the traditional sense. Capsaicin interacts with receptors in your mouth that are designed to detect pain and temperature. Your brain reads that signal as burning, even though there’s no physical damage being done at typical levels. Depending on how much you’ve had, that sensation can linger anywhere from a few minutes to well over half an hour.

One thing worth keeping in mind is that not all peppers are created equal, even within the same variety. Growing conditions, soil, weather, and maturity all play a role in how much capsaicin a pepper develops. Two jalapeños from different fields, or even different plants in the same field, can vary more than you might expect.

At the far end of the scale are peppers that push the limits of what most people would consider edible. Varieties like the Carolina Reaper have recorded levels exceeding 2 million SHU. That’s well beyond the point of casual consumption and into territory where even a small amount can be overwhelming. While some people seek that level of heat for the challenge, it’s not something to take lightly.

For everyday use, the Scoville scale is less about chasing extremes and more about making informed choices. If you know your comfort level, you can select peppers that add flavor without overpowering a dish. It also helps explain why a recipe that calls for “one pepper” can turn out very differently depending on what you pick up at the store or out of the garden.

In the end, that moment when your mouth feels like it’s on fire isn’t as mysterious as it seems. There’s a system behind it, and a little understanding of the Scoville scale can go a long way in keeping your next bite from turning into a regret.

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Country Lifestyles

My World at 1.4 Miles Per Hour

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By Annette Bridges

I was watching a television interview with a Texas rancher when he said something that made me stop what I was doing. I paused the program, rewound it, and listened again. “It’s great to enjoy the world at 1.4 miles per hour.” As soon as I heard those words, I knew they were speaking to me. They gave simple, well-chosen language to something I already understood—feelings I had carried and conclusions I had reached after forty-five years of living on our cattle ranch.

He was sitting on his tractor when he said it, smiling a little, making reference to the slow, steady speed of a machine built for work, not hurry. And maybe that’s why it settled so deeply into my heart—because I know that speed well.

One of my greatest joys of life on our cattle ranch has been driving my beloved red tractor while picking up square bales. There’s no rushing involved. The tractor putters along slowly, steadily, just fast enough to move forward but slow enough that nothing feels missed. I can ease ahead, line up the bale loader, make small adjustments, and never feel pressed for time.

At 1.4 miles per hour, the world opens up.

I glance toward the pasture and see calves playing chase, kicking up dust like they’ve discovered joy for the first time. I spot a calf nursing its mama, that quiet, instinctive moment that somehow feels sacred every single time. Sometimes it’s two “bestie” mamas grazing side by side, comfortable in each other’s company, reminding me that companionship doesn’t always require words.

From the tractor seat, I notice things I would never see if I were moving faster. The sun beginning its slow descent, casting a golden glow across the field. Birds perched on square bales, patiently waiting their turn to be picked up. The sound of geese or ducks flying overhead, announcing their presence long before I see them cross the sky.

There isn’t much I miss at that speed.

When I first came to living on the ranch after getting married, I didn’t immediately appreciate the slower pace. In fact, I often felt impatient with it. Chores felt like something to get through, not something to linger in. I was usually in a hurry to finish the task at hand so I could move on to what I thought was the fun part of the day. The slowness felt like an obstacle, not a gift. It would take many years—many seasons—before I began to realize what that pace was quietly offering me all along.

The tractor doesn’t allow hurry. It insists on patience. It teaches you to work with the land instead of racing across it. And somewhere between bale after bale, I learned that slowing down isn’t about doing less—it’s about seeing more.

At 1.4 miles per hour, your senses wake up. Your thoughts quiet down. You stop multitasking and start noticing. Joy doesn’t rush in loudly; it shows up gently, in scenes that might look ordinary to someone moving too fast to care.

I think that’s why that rancher’s words stayed with me. They captured something I’ve been learning all along—that there’s a richness to life that only reveals itself at a slower pace. A pace where your eyes are open, your heart is present, and your mind isn’t already racing ahead to the next task.

In a world that celebrates speed and hustle, choosing to putter along can feel almost countercultural. But from my seat on my beloved red tractor, moving at 1.4 miles per hour, it feels like a gift.

Because there is so much more to see when you slow down enough to notice.

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Country Lifestyles

History of the Cattle Guard

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On most ranches, a cattle guard is something you drive over without thinking about it. It sits across a road or at a pasture entrance, doing its job without needing attention. No gate to open, no chain to fasten, no reason to stop. It’s simple, and that’s exactly why it stuck.

Before cattle guards, gates were the only way to control livestock. That worked when travel was slower and less frequent, but as trucks and equipment became part of everyday ranch work, gates became a problem. Every one meant stopping, getting out, opening it, driving through, and closing it again. Over the course of a day, that added up. More importantly, a gate left open could cause trouble fast. Cattle didn’t need much opportunity to end up where they weren’t supposed to be.

The cattle guard solved both issues at once.

The idea is straightforward. A series of parallel bars is set over a shallow pit. Vehicles pass over it easily, but livestock usually won’t. The spacing between the bars makes footing uncertain, and cattle tend to avoid stepping onto it. It doesn’t rely on force. It relies on behavior.

Early cattle guards were built from wood, using poles or timbers laid across a trench. They worked, but they didn’t last. As steel became more available, the design improved. Metal rails held up better under traffic, required less maintenance, and provided more consistent spacing. Over time, that became the standard.

By the early 1900s, cattle guards were becoming more common as rural roads expanded and vehicle use increased. In places like Texas and Oklahoma, where roads often cut through grazing land, they offered a practical way to keep cattle contained without slowing down movement. Fewer gates meant less labor and fewer chances for mistakes.

Modern cattle guards follow the same basic design, with adjustments for durability and use. Heavier versions are built to handle highway traffic and loaded trucks, while lighter ones are used on private roads. Proper installation matters. If the pit is too shallow or the spacing is off, cattle may be more willing to cross. If dirt or debris fills in the gaps, the guard loses effectiveness.

They’re not perfect. Young or pressured animals will sometimes try to cross, and poorly maintained guards can fail. But when built and maintained correctly, they remain one of the most efficient tools for managing livestock around roads.

What makes the cattle guard stand out is its simplicity. It doesn’t require daily effort, and it doesn’t depend on someone remembering to use it. It solves a specific problem in a way that fits how ranches actually operate.

It’s easy to overlook because it works the way it’s supposed to. But across ranch country, it’s one of the reasons things move a little smoother every day.

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